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Claudia Aranda

Chilean journalist specializing in Semiotics and Political Analysis. As an international analyst, she focuses on prospective analysis of social processes. Based in Montreal, Quebec, she covers news for Pressenza and explores contemporary philosophical debates within the context of current events. Her work emphasizes human rights, geopolitics, armed conflict, the environment, and technological development. She is a humanist and an activist for social justice causes.

Kidnapping is kidnapping: Chile and its unresolved debt with the disappeared

Chile carries a wound that has never healed. The disappearance of people under State custody does not belong solely to the dictatorial past: it persists as a covert practice in democracy, tolerated by legal loopholes and by the continuity of…

The epilogue of Gaza City: The demolition

The last 48 hours in Gaza City have been marked by a series of relentless bombings that have destroyed the last habitable neighborhoods in the city. After declaring the city a “dangerous combat zone,” the Israeli army has launched a…

Israel Attacks Nasser Hospital and Bombards Journalists and Rescue Teams Live: A War Crime in Gaza

On Monday, August 24, 2025, the Nasser Hospital, the main medical center in southern Gaza located in the city of Khan Yunis, was the target of a violent Israeli airstrike that caused the death of at least 20 people, including…

The Psychic and Affective Effect of Violence in Gaza: A Call to Global Awareness and Self-Care

The constant live broadcast of extreme violence, bombings, and atrocious acts of genocide in Gaza has left a deep mark on the collective psyche worldwide. In the 21st century, where information travels instantly through social networks and media outlets, these…

Qudaibergen, Domingo, and Carreras — The semiotic reconfiguration of “The Three Tenors”: A constructive mosaic across temporal antipodes

The performance of Plácido Domingo, José Carreras, Dimash Qudaibergen—standing in for the late master of all masters, Luciano Pavarotti—and cellist Stjepan Hauser in the final of Virtuosos, delivering a moving rendition of the classic My Way, became an event of…

Tarzan, the monkeys, and the almost certain runoff: Chile in dispute

In Chile, the right wing is not a single mass. It is a jungle with hierarchies. At the very top sits Tarzan, the export elite that moves copper, pulp, wine, and forests. In the middle leap the monkeys, those of Renovación Nacional (RN): shopkeepers, hardware…

The Cost of Reality in the Psyche of a Conscious Journalist

It is not fatigue: it is erosion. Reality, when it touches you daily with the coldness of a war report and the smell of a morgue, wears you down from the inside until it makes invisible the edges that once…

Putin–Trump Summit This Friday: Final Details and Preparations at Alaska’s Joint Military Base

For a few seconds, my imagination staged a surreal scene: a gray, fortified building in the middle of the ice, with the flags of Russia and the United States flying side by side, as if the Cold War had ended…

The Danger of Any Supremacism

This article examines supremacism as a transhistorical technology of power, breaking down its operating mechanisms, its institutional translation, and its consequences for human coexistence. It argues that supremacism, far from being a marginal phenomenon, is a recurring pattern that manifests…

The post-human rights era: Gaza as the epitaph of a collapsed architecture

There are ruins that are not only the end of a building but also the beginning of a new era. At this historical moment, the smoking ruins of Gaza are not evidence of a war but the epitaph of the…

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