{"id":2601801,"date":"2025-05-01T20:37:14","date_gmt":"2025-05-01T19:37:14","guid":{"rendered":"https:\/\/www.pressenza.com\/?p=2601801"},"modified":"2025-05-01T20:37:14","modified_gmt":"2025-05-01T19:37:14","slug":"as-296-melhores-musicas-brasileiras-221-a-230","status":"publish","type":"post","link":"https:\/\/www.pressenza.com\/pt-pt\/2025\/05\/as-296-melhores-musicas-brasileiras-221-a-230\/","title":{"rendered":"As 296 Melhores M\u00fasicas Brasileiras &#8211; #221 a #230"},"content":{"rendered":"<h5><span style=\"color: #999999;\">M\u00daSICA<\/span><\/h5>\n<p><em><strong>Por Renan Sim\u00f5es \u2013 Revis\u00e3o de Myrna Barreto<\/strong><\/em><\/p>\n<p><b>#230 Impacto Cinco &#8211; <\/b><b><i>M\u00e3os de Seda, Cora\u00e7\u00e3o de Ferro<\/i><\/b><b> (1975)<\/b><\/p>\n<p><span style=\"font-weight: 400;\">O rock chapado setentista do Impacto Cinco foi muito bem consubstanciado no emblem\u00e1tico <\/span><i><span style=\"font-weight: 400;\">L\u00e1grimas azuis<\/span><\/i><span style=\"font-weight: 400;\">. Dentre suas faixas, destacamos a dan\u00e7ante <\/span><i><span style=\"font-weight: 400;\">M\u00e3os de seda, cora\u00e7\u00e3o de ferro<\/span><\/i><span style=\"font-weight: 400;\">.<\/span><\/p>\n<p><iframe loading=\"lazy\" title=\"M\u00e3os de seda, cora\u00e7\u00e3o de ferro\" width=\"500\" height=\"375\" src=\"https:\/\/www.youtube.com\/embed\/eMnP1XhEhFU?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p><b>#229 Racionais MC\u2019s &#8211; <\/b><b><i>T\u00f4 Ouvindo Algu\u00e9m Me Chamar<\/i><\/b><b> (1997)<\/b><\/p>\n<p><i><span style=\"font-weight: 400;\">T\u00f4 ouvindo algu\u00e9m me chamar<\/span><\/i><span style=\"font-weight: 400;\"> \u00e9 uma saga cinematogr\u00e1fica complexa, uma cria\u00e7\u00e3o genial que me emociona a cada palavra e sonoridade. Uma reflex\u00e3o definitiva e profunda sobre a vida no crime.<\/span><\/p>\n<p><iframe loading=\"lazy\" title=\"To\u0302 Ouvindo Algue\u0301m Me Chamar\" width=\"500\" height=\"375\" src=\"https:\/\/www.youtube.com\/embed\/tPVX6VYLI1A?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p><b>#228 O Rappa &#8211; <\/b><b><i>Me Deixa<\/i><\/b><b> (1999)<\/b><\/p>\n<p><span style=\"font-weight: 400;\">Um dos grandes acontecimentos da m\u00fasica midi\u00e1tica dos anos 90, O Rappa conseguiu agradar \u00e0s mais diversas tribos.<\/span><i><span style=\"font-weight: 400;\"> Lado B Lado A<\/span><\/i><span style=\"font-weight: 400;\"> foi sua obra-prima, com muitos pontos altos, como <\/span><i><span style=\"font-weight: 400;\">Me deixa<\/span><\/i><span style=\"font-weight: 400;\">, com sua levada e conte\u00fados musicais irresist\u00edveis.<\/span><\/p>\n<p><iframe loading=\"lazy\" title=\"Me deixa\" width=\"500\" height=\"375\" src=\"https:\/\/www.youtube.com\/embed\/5SkR8FX6Bno?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p><b>#227 Ira! &#8211; <\/b><b><i>Dias de Luta<\/i><\/b><b> (1986)<\/b><\/p>\n<p><span style=\"font-weight: 400;\">Minha avers\u00e3o ao rock nacional oitentista n\u00e3o me impede de curtir o que h\u00e1 de bom em faixas como <\/span><i><span style=\"font-weight: 400;\">Dias de luta<\/span><\/i><span style=\"font-weight: 400;\">, do Ira!.<\/span><\/p>\n<p><iframe loading=\"lazy\" title=\"Dias de luta\" width=\"500\" height=\"375\" src=\"https:\/\/www.youtube.com\/embed\/mYxpz69HUys?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p><b>#226 Os Lobos &#8211; <\/b><b><i>Avenida Central<\/i><\/b><b> (1971)<\/b><\/p>\n<p><span style=\"font-weight: 400;\">N\u00e3o h\u00e1 d\u00favidas de que <\/span><i><span style=\"font-weight: 400;\">Avenida Central<\/span><\/i><span style=\"font-weight: 400;\"> \u00e9 a faixa mais tocante d\u2019Os Lobos, e que o \u00e1lbum no qual est\u00e1 inserida, <\/span><i><span style=\"font-weight: 400;\">Miragem<\/span><\/i><span style=\"font-weight: 400;\">, \u00e9 um dos mais originais da m\u00fasica brasileira.<\/span><\/p>\n<p><iframe loading=\"lazy\" title=\"Avenida Central\" width=\"500\" height=\"375\" src=\"https:\/\/www.youtube.com\/embed\/WEJ7xhrT-to?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p><b>#225 Los Hermanos &#8211; <\/b><b><i>Cara Estranho<\/i><\/b><b> (2003)<\/b><\/p>\n<p><span style=\"font-weight: 400;\">Los Hermanos foi um produto da grande m\u00eddia para aqueles que n\u00e3o queriam dizer que se rendiam \u00e0 grande m\u00eddia. M\u00fasicos competentes, com muitas ideias originais, muitas das quais contr\u00e1rias ao meu gosto, mas com cria\u00e7\u00f5es memor\u00e1veis como <\/span><i><span style=\"font-weight: 400;\">Cara estranho<\/span><\/i><span style=\"font-weight: 400;\">.<\/span><\/p>\n<p><iframe loading=\"lazy\" title=\"Los hermanos - Cara estranho\" width=\"500\" height=\"375\" src=\"https:\/\/www.youtube.com\/embed\/W0dc8tpnebI?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p><b>#224 Xangai &#8211; <\/b><b><i>Incelen\u00e7a Pro Amor Retirante<\/i><\/b><b> (1986)<\/b><\/p>\n<p><span style=\"font-weight: 400;\">Xangai \u00e9 um grande int\u00e9rprete da obra de Elomar, o que \u00e9 not\u00f3rio em sua grava\u00e7\u00e3o de <\/span><i><span style=\"font-weight: 400;\">Incele\u00e7a pro amor retirante<\/span><\/i><span style=\"font-weight: 400;\">, eivada de mist\u00e9rio e magia.<\/span><\/p>\n<p><iframe loading=\"lazy\" title=\"Xangai \u2013 Incelen\u00e7a Pro Amor Retirante\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/Qt1QEmFMaeo?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p><b>#223 Lulu Santos &#8211; <\/b><b><i>Certas Coisas<\/i><\/b><b> (1984)<\/b><\/p>\n<p><i><span style=\"font-weight: 400;\">Certas coisas<\/span><\/i><span style=\"font-weight: 400;\"> \u00e9 uma daquelas can\u00e7\u00f5es atemporais que nos empurram para uma nostalgia transcendental. Dessas m\u00fasicas que parecem sempre ter existido.<\/span><\/p>\n<p><iframe loading=\"lazy\" title=\"Certas coisas\" width=\"500\" height=\"375\" src=\"https:\/\/www.youtube.com\/embed\/zmDOuaCJQYw?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p><b>#222 Fredera &#8211; <\/b><b><i>Pequeno Poema Libert\u00e1rio<\/i><\/b><b> (1981)<\/b><\/p>\n<p><span style=\"font-weight: 400;\">Fredera (ou Frederico Mendon\u00e7a de Oliveira) lan\u00e7ou seu \u00fanico \u00e1lbum em um per\u00edodo no qual a m\u00fasica instrumental brasileira independente estava em plena ascens\u00e3o. Uma de suas faixas mais interessantes \u00e9 o <\/span><i><span style=\"font-weight: 400;\">Pequeno poema libert\u00e1rio<\/span><\/i><span style=\"font-weight: 400;\">.<\/span><\/p>\n<p><iframe loading=\"lazy\" title=\"Fredera - Pequeno Poema Libertario\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/ZxfqY0atYZA?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p><b>#221 Nara Le\u00e3o &#8211; <\/b><b><i>O Morro<\/i><\/b><b> (1964)<\/b><\/p>\n<p><span style=\"font-weight: 400;\">A musa da elitizada bossa nova pareceu rebelar-se artisticamente contra esse pr\u00f3prio g\u00eanero ao se aprofundar em um repert\u00f3rio mais verdadeiramente brasileiro, como na tocante <\/span><i><span style=\"font-weight: 400;\">O morro<\/span><\/i><span style=\"font-weight: 400;\">.<\/span><\/p>\n<p><iframe loading=\"lazy\" title=\"O Morro (Feio Nao E Bonito)\" width=\"500\" height=\"375\" src=\"https:\/\/www.youtube.com\/embed\/BUXgHWuezhE?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>M\u00daSICA Por Renan Sim\u00f5es \u2013 Revis\u00e3o de Myrna Barreto #230 Impacto Cinco &#8211; M\u00e3os de Seda, Cora\u00e7\u00e3o de Ferro (1975) O rock chapado setentista do Impacto Cinco foi muito bem consubstanciado no emblem\u00e1tico L\u00e1grimas azuis. Dentre suas faixas, destacamos a&hellip;<\/p>\n","protected":false},"author":1976,"featured_media":2601802,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[104,11390,112,165],"tags":[75238,64842],"class_list":["post-2601801","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-america-do-sul","category-conteudo-original","category-cultura-pt-pt","category-opiniao","tag-caderno-de-cultura","tag-musica-pt-pt"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.1.1 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>As 296 Melhores M\u00fasicas Brasileiras - #221 a #230<\/title>\n<meta name=\"description\" content=\"M\u00daSICA Por Renan Sim\u00f5es \u2013 Revis\u00e3o de Myrna Barreto #230 Impacto Cinco - M\u00e3os de Seda, Cora\u00e7\u00e3o de Ferro (1975) O rock chapado setentista do Impacto Cinco\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.pressenza.com\/pt-pt\/2025\/05\/as-296-melhores-musicas-brasileiras-221-a-230\/\" \/>\n<meta property=\"og:locale\" content=\"pt_PT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"As 296 Melhores M\u00fasicas Brasileiras - #221 a #230\" \/>\n<meta property=\"og:description\" content=\"M\u00daSICA Por Renan Sim\u00f5es \u2013 Revis\u00e3o de Myrna Barreto #230 Impacto Cinco - M\u00e3os de Seda, Cora\u00e7\u00e3o de Ferro (1975) O rock chapado setentista do Impacto Cinco\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.pressenza.com\/pt-pt\/2025\/05\/as-296-melhores-musicas-brasileiras-221-a-230\/\" \/>\n<meta property=\"og:site_name\" content=\"Pressenza\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/PressenzaItalia\" \/>\n<meta property=\"article:published_time\" content=\"2025-05-01T19:37:14+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.pressenza.com\/wp-content\/uploads\/2025\/05\/fotos-site-pressenza-17.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"750\" \/>\n\t<meta property=\"og:image:height\" content=\"420\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Renan Sim\u00f5es\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@PressenzaIPA\" \/>\n<meta name=\"twitter:site\" content=\"@PressenzaIPA\" \/>\n<meta name=\"twitter:label1\" content=\"Escrito por\" \/>\n\t<meta name=\"twitter:data1\" content=\"Renan Sim\u00f5es\" \/>\n\t<meta name=\"twitter:label2\" content=\"Tempo estimado de leitura\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minutos\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/www.pressenza.com\/pt-pt\/2025\/05\/as-296-melhores-musicas-brasileiras-221-a-230\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/www.pressenza.com\/pt-pt\/2025\/05\/as-296-melhores-musicas-brasileiras-221-a-230\/\"},\"author\":{\"name\":\"Renan Sim\u00f5es\",\"@id\":\"https:\/\/www.pressenza.com\/pt-pt\/#\/schema\/person\/927c5e114093cf30a8715b9e8f156e1d\"},\"headline\":\"As 296 Melhores M\u00fasicas Brasileiras &#8211; 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