{"id":559709,"date":"2017-11-23T21:02:07","date_gmt":"2017-11-23T21:02:07","guid":{"rendered":"https:\/\/www.pressenza.com\/?p=559709\/"},"modified":"2017-11-24T13:02:16","modified_gmt":"2017-11-24T13:02:16","slug":"signification-de-lhumain-critique-de-film-blade-runner-2049","status":"publish","type":"post","link":"https:\/\/www.pressenza.com\/fr\/2017\/11\/signification-de-lhumain-critique-de-film-blade-runner-2049\/","title":{"rendered":"[Signification de l&rsquo;humain] Critique de film : Blade Runner 2049"},"content":{"rendered":"<p>La suite de <em>Blade Runner<\/em>, film dystopique r\u00e9alis\u00e9 par Ridley Scott en 1982 et qui se passe \u00e0 Los Angeles en 2019 (maintenant si proche), a provoqu\u00e9 de grandes acclamations dans les cin\u00e9mas. Le film se passe trente ans apr\u00e8s le premier \u00e9pisode et ceux qui le regardent en 3D peuvent \u00e9prouver l\u2019horreur immersive de dystopie comme si elle faisait partie de leur propre vie. Bizarre, puisque l\u2019un des th\u00e8mes est la technologie capable de cr\u00e9er des m\u00e9moires implant\u00e9es.<\/p>\n<p>En prenant en compte la publicit\u00e9 autour de sa sortie, il pourrait se convertir en l\u2019un de ces films vus par une grande partie de la population, c\u2019est-\u00e0-dire qu\u2019il pourrait se convertir en un objet culturel. Il serait int\u00e9ressant de ce fait de regarder avec un \u0153il critique sa possible influence.<\/p>\n<p>Comme son pr\u00e9d\u00e9cesseur, les th\u00e8mes sont la d\u00e9gradation de l\u2019environnement, la pollution, l\u2019exode plan\u00e9taire de tous les \u00eatres humains \u00e0 l\u2019exception des plus d\u00e9munis, le contr\u00f4le du monde par les Grandes Entreprises (cette derni\u00e8re incarnation commence avec Sony entre ses premi\u00e8res cr\u00e9ances, l\u2019ironie semble s\u2019\u00eatre perdue pour les producteurs) et les andro\u00efdes ou leurs r\u00e9plicants chass\u00e9s et assassin\u00e9s, dans le film ant\u00e9rieur pour d\u00e9velopper leurs propres id\u00e9es, dans celui-ci pour \u00eatre des mod\u00e8les obsol\u00e8tes.<\/p>\n<p>Comme la plupart des films de science-fiction dystopiques, il ne s\u2019agit pas de d\u00e9battre sur le futur mais de critiquer le pr\u00e9sent. L\u2019holocauste nucl\u00e9aire est implicite mais elle s\u2019est produite en silence, nous sommes dans une situation post-apocalyptique sauf que les populations ont surv\u00e9cu.<\/p>\n<p>La prise de contr\u00f4le des entreprises, le ch\u00f4mage provoqu\u00e9 par l\u2019automatisation et les robots assassins, tout cela devient quelque chose de trop r\u00e9el, provoquant un sentiment de parano\u00efa dans la population que le film d\u00e9crit (ou exploite) \u00e0 la perfection.<\/p>\n<p>Le nouveau film a \u00e9t\u00e9 r\u00e9alis\u00e9 par Denis Villeneuve, qui a \u00e9galement r\u00e9alis\u00e9 <em>Arrival<\/em> (le gars aime la brume). Dans les deux films de <em>Blade Runner<\/em>, la capacit\u00e9 des r\u00e9plicants \u00e0 se transformer en v\u00e9ritables humains (Pinocchio est subtilement pr\u00e9sent lorsqu\u2019il est dit au r\u00e9plicant qu\u2019il pourrait se transformer en \u00ab\u00a0un v\u00e9ritable enfant\u00a0\u00bb) est le moyen utilis\u00e9 par les films pour discuter de la question de la signification d\u2019\u00eatre un v\u00e9ritable humain, le point philosophique central du roman de Phillipe K Dick \u00ab\u00a0Do Androids Dream of Electric Sheep\u00a0\u00bb, sur lequel les deux films sont vaguement bas\u00e9s.<\/p>\n<p>Dans la version de 1982 le r\u00e9plicant parvient \u00e0 l\u2019humanit\u00e9 au moment de sa mort en d\u00e9veloppant de la compassion. Il refuse de tuer son ennemi impuissant et une colombe blanche s\u2019\u00e9loigne en volant, comme une esp\u00e8ce d\u2019\u00e2me s\u2019en allant dans les hauteurs. Ce fut peut-\u00eatre le point qui a lentement p\u00e9n\u00e9tr\u00e9 la conscience du public au fur et \u00e0 mesure que le film a \u00e9volu\u00e9, passant d\u2019une faible popularit\u00e9 dans les box-offices \u00e0 un film culte de tous les temps.<\/p>\n<p>La version de 2017 postule que ce qui nous rend humain est le sacrifice. Ceci est plus en rapport avec les films traditionnels de h\u00e9ros de guerre hollywoodiens con\u00e7us pour convaincre les jeunes que les politiciens psychopathes et distants ont le droit de les envoyer faire des guerres inutiles et peu \u00e9thiques parce que mourir pour son pays est un grand honneur. Cela fait aussi partie du lavage de cerveau des terroristes. Le sacrifice suppose qu\u2019il y ait des choses plus pr\u00e9cieuses que la vie humaine, et si quelques personnes sont pr\u00eates \u00e0 mourir pour ces choses, s\u00fbrement ces personnes seront pr\u00eates \u00e0 tuer pour lesdites choses. A moins que cela se produise dans le contexte d\u2019une position morale forte et non-violente comme celle de Gandhi\u00a0: \u00ab\u00a0Il y a beaucoup de choses pour lesquelles je mourrais. Il n\u2019y a pas une seule chose pour laquelle je tuerais\u00a0\u00bb. Il n\u2019y a rien de cela concernant notre h\u00e9ros r\u00e9plicant, qui donne autant de coups qu\u2019il re\u00e7oit, et il n\u2019y a pas de colombe blanche pour lui.<\/p>\n<p>La sagesse des propositions humanistes comme \u00ab\u00a0rien au-dessus de l\u2019\u00eatre humain et aucun \u00eatre humain au-dessus d\u2019un autre\u00a0\u00bb et la R\u00e8gle d\u2019Or de \u00ab\u00a0traiter les autres comme on voudrait qu\u2019ils nous traitent\u00a0\u00bb [1] est qu\u2019elle ne se base pas sur le sacrifice mais sur la solidarit\u00e9 et que celle-ci a la capacit\u00e9 de cr\u00e9er une meilleure r\u00e9alit\u00e9. Parce que ce qui nous rend v\u00e9ritablement plus humain est l\u2019intentionnalit\u00e9, notre conscience cr\u00e9e notre r\u00e9alit\u00e9 et lui donne un sens. Des souvenirs de tendresse de p\u00e8res et de m\u00e8res, la connaissance de ma\u00eetres, les mod\u00e8les positifs, l\u2019aide inesp\u00e9r\u00e9e d\u2019\u00e9trangers, les sourires compatissants, la chaleur dans le regard des amants, tout cela s\u2019ajoute \u00e0 un sens vers le bien-\u00eatre de tous. Les mauvaises exp\u00e9riences provoquent le contraire mais nous avons pourtant la capacit\u00e9 de nous rebeller contre les d\u00e9sirs m\u00e9caniques de vengeance.<\/p>\n<p>Si nous gardons simplement le message de ce film en l\u2019archivant sans critique dans nos archives de m\u00e9moires, alors ce n\u2019est seulement qu\u2019une nuit de plus o\u00f9 nous aurons \u00e9t\u00e9 \u00ab\u00a0divertis\u00a0\u00bb. Mais si le film r\u00e9veille l\u2019envie de discuter avec d\u2019autres la signification d\u2019\u00eatre v\u00e9ritablement humain et comment on peut atteindre cela dans un syst\u00e8me d\u00e9shumanisant, alors il peut contribuer \u00e0 ce que les vents de changement commencent \u00e0 souffler avec plus de force.<\/p>\n<p><a name=\"_ftn1\"><\/a><a href=\"https:\/\/www.pressenza.com\/es\/2017\/10\/critica-de-cine-blade-runner-2049\/#_ftnref1\">[1]<\/a> Les principes de l\u2019action valide, Chap. XIII, Le regard int\u00e9rieur, de Silo.<\/p>\n<p>&nbsp;<\/p>\n<p><em>Traduction de l\u2019anglais\u00a0: Romane Vilain<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>La suite de Blade Runner, film dystopique r\u00e9alis\u00e9 par Ridley Scott en 1982 et qui se passe \u00e0 Los Angeles en 2019 (maintenant si proche), a provoqu\u00e9 de grandes acclamations dans les cin\u00e9mas. Le film se passe trente ans apr\u00e8s&hellip;<\/p>\n","protected":false},"author":66,"featured_media":533687,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[11386,94,1246,40],"tags":[40817,41967,299],"class_list":["post-559709","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-contenu-original","category-culture-fr","category-humanisme-spiritualite","category-international-fr","tag-blade-runner-2049","tag-critique-de-films","tag-humanisme"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.1.1 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>[Signification de l&#039;humain] Critique de film : Blade Runner 2049<\/title>\n<meta name=\"description\" content=\"La suite de Blade Runner, film dystopique r\u00e9alis\u00e9 par Ridley Scott en 1982 et qui se passe \u00e0 Los Angeles en 2019 (maintenant si proche), a 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