{"id":797965,"date":"2019-01-29T15:21:17","date_gmt":"2019-01-29T15:21:17","guid":{"rendered":"https:\/\/www.pressenza.com\/?p=797965"},"modified":"2019-01-29T15:21:17","modified_gmt":"2019-01-29T15:21:17","slug":"critica-de-teatro-familiar-pareidolia","status":"publish","type":"post","link":"https:\/\/www.pressenza.com\/es\/2019\/01\/critica-de-teatro-familiar-pareidolia\/","title":{"rendered":"Cr\u00edtica de Teatro Familiar: Pareidolia"},"content":{"rendered":"<p><em>Por Marcela Latorre Robles<\/em><\/p>\n<p>Nuevamente la Compa\u00f1\u00eda La Llave Maestra, nos hace viajar por la creatividad y diferentes sensaciones y emociones. Esta vez, con su trabajo \u201cPareidolia\u201d, un conjunto de escenas que nos hacen ver la realidad de un modo nuevo.<\/p>\n<p>Este montaje es principalmente visual, no hay texto, la gracia est\u00e1 en que el espectador completa lo que ve, con sus propios contenidos. De esta manera, ni\u00f1os, j\u00f3venes y adultos disfrutan de los juegos que se ven en escena, muchas veces encontr\u00e1ndose con momentos m\u00e1gicos.<\/p>\n<p>T\u00e9cnicamente es un trabajo de alto nivel, todo se transforma; objetos, los cuerpos de los int\u00e9rpretes, la iluminaci\u00f3n, la m\u00fasica, todo es parte de una creaci\u00f3n que muestra instantes de humor, reflexi\u00f3n, locura, belleza, armon\u00eda y principalmente, juegos.<\/p>\n<p>Cada experiencia tiene un sentido, abrir la percepci\u00f3n del espectador y adentrarlo en alg\u00fan peque\u00f1o mundo, cada uno de estos en conjunto, suman un viaje de estados internos, el p\u00fablico sale de su rutina y recorre junto a La Llave Maestra, nuevas posibilidades.<\/p>\n<p>Este montaje es parte de una investigaci\u00f3n que la compa\u00f1\u00eda realiz\u00f3 durante el 2017, acerca del teatro visual y de objetos y \u00faltimamente, fue parte del Festival Santiago Off en Matucana 100, llenando cada noche el teatro principal.<\/p>\n<p>La Llave Maestra es una Compa\u00f1\u00eda Hispano &#8211; chilena que ha logrado instalar un teatro de vivencias l\u00fadicas, donde combinan diferentes t\u00e9cnicas para que el p\u00fablico sea parte activa de lo que ven, tanto as\u00ed que en Pareidolia tocan y sienten de manera concreta algunos de los elementos, siendo parte de la escena.<\/p>\n<p>Ellos han recorrido Am\u00e9rica, Europa y Asia, participando de festivales y muestras con cinco producciones: N\u00f3madas, Delirios de Papel, Bestiario, Los Ni\u00f1@s del Winnipeg y Pareidolia.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-large wp-image-797966\" src=\"https:\/\/www.pressenza.com\/wp-content\/uploads\/2019\/01\/Cr\u00e9dito-foto-Ra\u00fal-Escudero-591x394-720x480.jpg\" alt=\"\" width=\"720\" height=\"480\" srcset=\"https:\/\/www.pressenza.com\/wp-content\/uploads\/2019\/01\/Cr\u00e9dito-foto-Ra\u00fal-Escudero-591x394-720x480.jpg 720w, https:\/\/www.pressenza.com\/wp-content\/uploads\/2019\/01\/Cr\u00e9dito-foto-Ra\u00fal-Escudero-591x394-300x200.jpg 300w, https:\/\/www.pressenza.com\/wp-content\/uploads\/2019\/01\/Cr\u00e9dito-foto-Ra\u00fal-Escudero-591x394-768x512.jpg 768w, https:\/\/www.pressenza.com\/wp-content\/uploads\/2019\/01\/Cr\u00e9dito-foto-Ra\u00fal-Escudero-591x394.jpg 800w\" sizes=\"auto, (max-width: 720px) 100vw, 720px\" \/><\/p>\n<p><strong>FICHA ART\u00cdSTICA<\/strong><\/p>\n<p><em>Co &#8211; Direcci\u00f3n:<\/em> \u00c1lvaro Morales y Edurne Rankin Garc\u00eda<\/p>\n<p><em>Elenco:<\/em> Edurne Rankin Garc\u00eda, Mario Espinoza, Ra\u00fal Escudero y Marcela Burgos<\/p>\n<p><em>T\u00e9cnico en Escena:<\/em> Pablo Soto<\/p>\n<p><a href=\"http:\/\/lallavemaestra.com.es\/\">http:\/\/lallavemaestra.com.es\/<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Por Marcela Latorre Robles Nuevamente la Compa\u00f1\u00eda La Llave Maestra, nos hace viajar por la creatividad y diferentes sensaciones y emociones. Esta vez, con su trabajo \u201cPareidolia\u201d, un conjunto de escenas que nos hacen ver la realidad de un modo&hellip;<\/p>\n","protected":false},"author":43,"featured_media":797976,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[11389,75,161,67],"tags":[54203,8568,46706],"class_list":["post-797965","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-contenido-original","category-cultura-es","category-opiniones","category-sudamerica","tag-la-llave-maestra","tag-teatro-es","tag-teatro-para-ninos"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.1.1 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Cr\u00edtica de Teatro Familiar: Pareidolia<\/title>\n<meta name=\"description\" content=\"Por Marcela Latorre Robles Nuevamente la Compa\u00f1\u00eda La Llave Maestra, nos hace viajar por la creatividad y diferentes sensaciones y emociones. Esta vez, con\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.pressenza.com\/es\/2019\/01\/critica-de-teatro-familiar-pareidolia\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Cr\u00edtica de Teatro Familiar: Pareidolia\" \/>\n<meta property=\"og:description\" content=\"Por Marcela Latorre Robles Nuevamente la Compa\u00f1\u00eda La Llave Maestra, nos hace viajar por la creatividad y diferentes sensaciones y emociones. Esta vez, con\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.pressenza.com\/es\/2019\/01\/critica-de-teatro-familiar-pareidolia\/\" \/>\n<meta property=\"og:site_name\" content=\"Pressenza\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/PressenzaItalia\" \/>\n<meta property=\"article:author\" content=\"https:\/\/www.facebook.com\/pressenza\" \/>\n<meta property=\"article:published_time\" content=\"2019-01-29T15:21:17+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.pressenza.com\/wp-content\/uploads\/2019\/01\/Pareidolia1.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"800\" \/>\n\t<meta property=\"og:image:height\" content=\"450\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Redacci\u00f3n Chile\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@pressenza\" \/>\n<meta name=\"twitter:site\" content=\"@PressenzaIPA\" \/>\n<meta name=\"twitter:label1\" content=\"Escrito por\" \/>\n\t<meta name=\"twitter:data1\" content=\"Redacci\u00f3n Chile\" \/>\n\t<meta name=\"twitter:label2\" content=\"Tiempo de lectura\" \/>\n\t<meta name=\"twitter:data2\" content=\"2 minutos\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/www.pressenza.com\/es\/2019\/01\/critica-de-teatro-familiar-pareidolia\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/www.pressenza.com\/es\/2019\/01\/critica-de-teatro-familiar-pareidolia\/\"},\"author\":{\"name\":\"Redacci\u00f3n Chile\",\"@id\":\"https:\/\/www.pressenza.com\/es\/#\/schema\/person\/73711f7eefd625a2dea743756a39ed16\"},\"headline\":\"Cr\u00edtica de Teatro Familiar: Pareidolia\",\"datePublished\":\"2019-01-29T15:21:17+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/www.pressenza.com\/es\/2019\/01\/critica-de-teatro-familiar-pareidolia\/\"},\"wordCount\":350,\"publisher\":{\"@id\":\"https:\/\/www.pressenza.com\/es\/#organization\"},\"image\":{\"@id\":\"https:\/\/www.pressenza.com\/es\/2019\/01\/critica-de-teatro-familiar-pareidolia\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/www.pressenza.com\/wp-content\/uploads\/2019\/01\/Pareidolia1.jpg\",\"keywords\":[\"La Llave Maestra\",\"Teatro\",\"teatro para ni\u00f1os\"],\"articleSection\":[\"Contenido Original\",\"Cultura y Medios\",\"Opiniones\",\"Sudam\u00e9rica\"],\"inLanguage\":\"es\"},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.pressenza.com\/es\/2019\/01\/critica-de-teatro-familiar-pareidolia\/\",\"url\":\"https:\/\/www.pressenza.com\/es\/2019\/01\/critica-de-teatro-familiar-pareidolia\/\",\"name\":\"Cr\u00edtica de Teatro Familiar: Pareidolia\",\"isPartOf\":{\"@id\":\"https:\/\/www.pressenza.com\/es\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/www.pressenza.com\/es\/2019\/01\/critica-de-teatro-familiar-pareidolia\/#primaryimage\"},\"image\":{\"@id\":\"https:\/\/www.pressenza.com\/es\/2019\/01\/critica-de-teatro-familiar-pareidolia\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/www.pressenza.com\/wp-content\/uploads\/2019\/01\/Pareidolia1.jpg\",\"datePublished\":\"2019-01-29T15:21:17+00:00\",\"description\":\"Por Marcela Latorre Robles Nuevamente la Compa\u00f1\u00eda La Llave Maestra, nos hace viajar por la creatividad y diferentes sensaciones y emociones. Esta vez, con\",\"breadcrumb\":{\"@id\":\"https:\/\/www.pressenza.com\/es\/2019\/01\/critica-de-teatro-familiar-pareidolia\/#breadcrumb\"},\"inLanguage\":\"es\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/www.pressenza.com\/es\/2019\/01\/critica-de-teatro-familiar-pareidolia\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"es\",\"@id\":\"https:\/\/www.pressenza.com\/es\/2019\/01\/critica-de-teatro-familiar-pareidolia\/#primaryimage\",\"url\":\"https:\/\/www.pressenza.com\/wp-content\/uploads\/2019\/01\/Pareidolia1.jpg\",\"contentUrl\":\"https:\/\/www.pressenza.com\/wp-content\/uploads\/2019\/01\/Pareidolia1.jpg\",\"width\":800,\"height\":450},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/www.pressenza.com\/es\/2019\/01\/critica-de-teatro-familiar-pareidolia\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Accueil\",\"item\":\"https:\/\/www.pressenza.com\/es\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Cr\u00edtica de Teatro Familiar: Pareidolia\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/www.pressenza.com\/es\/#website\",\"url\":\"https:\/\/www.pressenza.com\/es\/\",\"name\":\"Pressenza\",\"description\":\"International Press Agency\",\"publisher\":{\"@id\":\"https:\/\/www.pressenza.com\/es\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/www.pressenza.com\/es\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"es\"},{\"@type\":\"Organization\",\"@id\":\"https:\/\/www.pressenza.com\/es\/#organization\",\"name\":\"Pressenza\",\"url\":\"https:\/\/www.pressenza.com\/es\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"es\",\"@id\":\"https:\/\/www.pressenza.com\/es\/#\/schema\/logo\/image\/\",\"url\":\"https:\/\/www.pressenza.com\/wp-content\/uploads\/2022\/10\/pressenza_logo_200x200.jpg\",\"contentUrl\":\"https:\/\/www.pressenza.com\/wp-content\/uploads\/2022\/10\/pressenza_logo_200x200.jpg\",\"width\":200,\"height\":200,\"caption\":\"Pressenza\"},\"image\":{\"@id\":\"https:\/\/www.pressenza.com\/es\/#\/schema\/logo\/image\/\"},\"sameAs\":[\"https:\/\/www.facebook.com\/PressenzaItalia\",\"https:\/\/x.com\/PressenzaIPA\"]},{\"@type\":\"Person\",\"@id\":\"https:\/\/www.pressenza.com\/es\/#\/schema\/person\/73711f7eefd625a2dea743756a39ed16\",\"name\":\"Redacci\u00f3n Chile\",\"description\":\"News from the Pressenza Bureau in Chile\",\"sameAs\":[\"https:\/\/www.facebook.com\/pressenza\",\"https:\/\/x.com\/pressenza\"],\"url\":\"https:\/\/www.pressenza.com\/es\/author\/redaccion-chile\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Cr\u00edtica de Teatro Familiar: Pareidolia","description":"Por Marcela Latorre Robles Nuevamente la Compa\u00f1\u00eda La Llave Maestra, nos hace viajar por la creatividad y diferentes sensaciones y emociones. Esta vez, con","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.pressenza.com\/es\/2019\/01\/critica-de-teatro-familiar-pareidolia\/","og_locale":"es_ES","og_type":"article","og_title":"Cr\u00edtica de Teatro Familiar: Pareidolia","og_description":"Por Marcela Latorre Robles Nuevamente la Compa\u00f1\u00eda La Llave Maestra, nos hace viajar por la creatividad y diferentes sensaciones y emociones. Esta vez, con","og_url":"https:\/\/www.pressenza.com\/es\/2019\/01\/critica-de-teatro-familiar-pareidolia\/","og_site_name":"Pressenza","article_publisher":"https:\/\/www.facebook.com\/PressenzaItalia","article_author":"https:\/\/www.facebook.com\/pressenza","article_published_time":"2019-01-29T15:21:17+00:00","og_image":[{"width":800,"height":450,"url":"https:\/\/www.pressenza.com\/wp-content\/uploads\/2019\/01\/Pareidolia1.jpg","type":"image\/jpeg"}],"author":"Redacci\u00f3n Chile","twitter_card":"summary_large_image","twitter_creator":"@pressenza","twitter_site":"@PressenzaIPA","twitter_misc":{"Escrito por":"Redacci\u00f3n Chile","Tiempo de lectura":"2 minutos"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/www.pressenza.com\/es\/2019\/01\/critica-de-teatro-familiar-pareidolia\/#article","isPartOf":{"@id":"https:\/\/www.pressenza.com\/es\/2019\/01\/critica-de-teatro-familiar-pareidolia\/"},"author":{"name":"Redacci\u00f3n Chile","@id":"https:\/\/www.pressenza.com\/es\/#\/schema\/person\/73711f7eefd625a2dea743756a39ed16"},"headline":"Cr\u00edtica de Teatro Familiar: Pareidolia","datePublished":"2019-01-29T15:21:17+00:00","mainEntityOfPage":{"@id":"https:\/\/www.pressenza.com\/es\/2019\/01\/critica-de-teatro-familiar-pareidolia\/"},"wordCount":350,"publisher":{"@id":"https:\/\/www.pressenza.com\/es\/#organization"},"image":{"@id":"https:\/\/www.pressenza.com\/es\/2019\/01\/critica-de-teatro-familiar-pareidolia\/#primaryimage"},"thumbnailUrl":"https:\/\/www.pressenza.com\/wp-content\/uploads\/2019\/01\/Pareidolia1.jpg","keywords":["La Llave Maestra","Teatro","teatro para ni\u00f1os"],"articleSection":["Contenido Original","Cultura y Medios","Opiniones","Sudam\u00e9rica"],"inLanguage":"es"},{"@type":"WebPage","@id":"https:\/\/www.pressenza.com\/es\/2019\/01\/critica-de-teatro-familiar-pareidolia\/","url":"https:\/\/www.pressenza.com\/es\/2019\/01\/critica-de-teatro-familiar-pareidolia\/","name":"Cr\u00edtica de Teatro Familiar: Pareidolia","isPartOf":{"@id":"https:\/\/www.pressenza.com\/es\/#website"},"primaryImageOfPage":{"@id":"https:\/\/www.pressenza.com\/es\/2019\/01\/critica-de-teatro-familiar-pareidolia\/#primaryimage"},"image":{"@id":"https:\/\/www.pressenza.com\/es\/2019\/01\/critica-de-teatro-familiar-pareidolia\/#primaryimage"},"thumbnailUrl":"https:\/\/www.pressenza.com\/wp-content\/uploads\/2019\/01\/Pareidolia1.jpg","datePublished":"2019-01-29T15:21:17+00:00","description":"Por Marcela Latorre Robles Nuevamente la Compa\u00f1\u00eda La Llave Maestra, nos hace viajar por la creatividad y diferentes sensaciones y emociones. Esta vez, con","breadcrumb":{"@id":"https:\/\/www.pressenza.com\/es\/2019\/01\/critica-de-teatro-familiar-pareidolia\/#breadcrumb"},"inLanguage":"es","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.pressenza.com\/es\/2019\/01\/critica-de-teatro-familiar-pareidolia\/"]}]},{"@type":"ImageObject","inLanguage":"es","@id":"https:\/\/www.pressenza.com\/es\/2019\/01\/critica-de-teatro-familiar-pareidolia\/#primaryimage","url":"https:\/\/www.pressenza.com\/wp-content\/uploads\/2019\/01\/Pareidolia1.jpg","contentUrl":"https:\/\/www.pressenza.com\/wp-content\/uploads\/2019\/01\/Pareidolia1.jpg","width":800,"height":450},{"@type":"BreadcrumbList","@id":"https:\/\/www.pressenza.com\/es\/2019\/01\/critica-de-teatro-familiar-pareidolia\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Accueil","item":"https:\/\/www.pressenza.com\/es\/"},{"@type":"ListItem","position":2,"name":"Cr\u00edtica de Teatro Familiar: Pareidolia"}]},{"@type":"WebSite","@id":"https:\/\/www.pressenza.com\/es\/#website","url":"https:\/\/www.pressenza.com\/es\/","name":"Pressenza","description":"International Press Agency","publisher":{"@id":"https:\/\/www.pressenza.com\/es\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.pressenza.com\/es\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"es"},{"@type":"Organization","@id":"https:\/\/www.pressenza.com\/es\/#organization","name":"Pressenza","url":"https:\/\/www.pressenza.com\/es\/","logo":{"@type":"ImageObject","inLanguage":"es","@id":"https:\/\/www.pressenza.com\/es\/#\/schema\/logo\/image\/","url":"https:\/\/www.pressenza.com\/wp-content\/uploads\/2022\/10\/pressenza_logo_200x200.jpg","contentUrl":"https:\/\/www.pressenza.com\/wp-content\/uploads\/2022\/10\/pressenza_logo_200x200.jpg","width":200,"height":200,"caption":"Pressenza"},"image":{"@id":"https:\/\/www.pressenza.com\/es\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/PressenzaItalia","https:\/\/x.com\/PressenzaIPA"]},{"@type":"Person","@id":"https:\/\/www.pressenza.com\/es\/#\/schema\/person\/73711f7eefd625a2dea743756a39ed16","name":"Redacci\u00f3n Chile","description":"News from the Pressenza Bureau in Chile","sameAs":["https:\/\/www.facebook.com\/pressenza","https:\/\/x.com\/pressenza"],"url":"https:\/\/www.pressenza.com\/es\/author\/redaccion-chile\/"}]}},"place":"Santiago de Chile","original_article_url":"","_links":{"self":[{"href":"https:\/\/www.pressenza.com\/es\/wp-json\/wp\/v2\/posts\/797965","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.pressenza.com\/es\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.pressenza.com\/es\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.pressenza.com\/es\/wp-json\/wp\/v2\/users\/43"}],"replies":[{"embeddable":true,"href":"https:\/\/www.pressenza.com\/es\/wp-json\/wp\/v2\/comments?post=797965"}],"version-history":[{"count":0,"href":"https:\/\/www.pressenza.com\/es\/wp-json\/wp\/v2\/posts\/797965\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.pressenza.com\/es\/wp-json\/wp\/v2\/media\/797976"}],"wp:attachment":[{"href":"https:\/\/www.pressenza.com\/es\/wp-json\/wp\/v2\/media?parent=797965"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.pressenza.com\/es\/wp-json\/wp\/v2\/categories?post=797965"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.pressenza.com\/es\/wp-json\/wp\/v2\/tags?post=797965"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}