{"id":291429,"date":"2016-03-18T16:15:19","date_gmt":"2016-03-18T16:15:19","guid":{"rendered":"http:\/\/www.pressenza.com\/es\/?p=291429"},"modified":"2016-03-18T16:25:51","modified_gmt":"2016-03-18T16:25:51","slug":"relatos-visuales-del-conflicto-armado-interno-peruano","status":"publish","type":"post","link":"https:\/\/www.pressenza.com\/es\/2016\/03\/relatos-visuales-del-conflicto-armado-interno-peruano\/","title":{"rendered":"Relatos visuales del conflicto armado interno peruano"},"content":{"rendered":"<p><strong>Testigos de Barro- Cer\u00e1micas de Rosal\u00eda Tineo<br \/>\n<\/strong><strong>La barbarie y la esperanza- Los retablos latentes de Teodoro Ram\u00edrez<\/strong><\/p>\n<p><em><strong>Escribe: Karen Bernedo<\/strong><\/em><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #000000;\">Dos reconocidos artistas tradicionales de Ayacucho inauguran exhibiciones esta semana, la primera es Rosal\u00eda Tineo ceramista de la provincia de Huanta, quien presenta \u201cTestigos de Barro\u201c en la casa Yuyachkani y la segunda exhibici\u00f3n se trata de \u201cLa barbarie y la esperanza- Los retablos latentes de Teodoro Ram\u00edrez\u201d en el Centro Cultural de Bellas Artes.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #000000;\">Ambas muestras, aunque desde perspectivas y t\u00e9cnicas diferentes, recogen los relatos y memorias sobre la violencia de los a\u00f1os ochenta y noventa en Ayacucho.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #000000;\">\u00a0En \u201cTestigos de Barro\u201d, Rosal\u00eda da testimonio de lo que le toc\u00f3 vivir a su propia familia, a las y los vecinos de su comunidad, se trata de una memoria particular y local cuyos testigos y protagonistas son sus propios personajes y en ellos deposita la tarea de contarnos la historia.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #000000;\">Rosal\u00eda Tineo es una gran artista tradicional de la cer\u00e1mica, su padre fue el maestro Leoncio Tineo quien inculc\u00f3 en ella desde temprana edad, la pasi\u00f3n por el oficio familiar. Por su aporte a la conservaci\u00f3n, trasmisi\u00f3n y rescate del patrimonio cultural fue nombrada Personalidad Meritoria de la Cultura en el a\u00f1o 2013.<\/span><\/p>\n<p style=\"text-align: justify;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-291446 size-large\" src=\"http:\/\/www.pressenza.com\/wp-content\/uploads\/2016\/03\/20160317_150832-2-720x441.jpg\" alt=\"20160317_150832-2\" width=\"720\" height=\"441\" srcset=\"https:\/\/www.pressenza.com\/wp-content\/uploads\/2016\/03\/20160317_150832-2-720x441.jpg 720w, https:\/\/www.pressenza.com\/wp-content\/uploads\/2016\/03\/20160317_150832-2-300x184.jpg 300w, https:\/\/www.pressenza.com\/wp-content\/uploads\/2016\/03\/20160317_150832-2-768x470.jpg 768w\" sizes=\"auto, (max-width: 720px) 100vw, 720px\" \/><\/p>\n<p style=\"text-align: justify;\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-291454 size-large aligncenter\" src=\"http:\/\/www.pressenza.com\/wp-content\/uploads\/2016\/03\/20160317_150845-2-577x1024.jpg\" alt=\"20160317_150845-2\" width=\"577\" height=\"1024\" srcset=\"https:\/\/www.pressenza.com\/wp-content\/uploads\/2016\/03\/20160317_150845-2-577x1024.jpg 577w, https:\/\/www.pressenza.com\/wp-content\/uploads\/2016\/03\/20160317_150845-2-169x300.jpg 169w, https:\/\/www.pressenza.com\/wp-content\/uploads\/2016\/03\/20160317_150845-2-768x1362.jpg 768w, https:\/\/www.pressenza.com\/wp-content\/uploads\/2016\/03\/20160317_150845-2.jpg 1840w\" sizes=\"auto, (max-width: 577px) 100vw, 577px\" \/><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #000000;\">En La Barbarie y la Esperanza, Teodoro recoge episodios emblem\u00e1ticos de la violencia para desafiar las narrativas y discursos oficiales que sobre ellos se ha construido. En sus retablos, Teodoro nos habla del caso Lucanamarca, del caso Cantuta y de Uchuraccay. Como manifiesta Guillermo Valdiz\u00e1n, director del Centro Cultural de Bellas Artes \u201cTeodoro parte del conflicto para desarrollar su relato de pa\u00eds y esa es una de sus principales virtudes pues nos brinda las palabras y las im\u00e1genes que nos faltaban para terminar de sentir las encrucijadas de nuestra historia reciente. Encrucijadas que tambi\u00e9n contrastan el campo y la ciudad, la modernidad y la tradici\u00f3n, la vida y la muerte.<\/span><\/p>\n<p style=\"text-align: justify;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-291482 size-large\" src=\"http:\/\/www.pressenza.com\/wp-content\/uploads\/2016\/03\/P1370099-720x546.jpg\" alt=\"P1370099\" width=\"720\" height=\"546\" srcset=\"https:\/\/www.pressenza.com\/wp-content\/uploads\/2016\/03\/P1370099-720x546.jpg 720w, https:\/\/www.pressenza.com\/wp-content\/uploads\/2016\/03\/P1370099-300x228.jpg 300w, https:\/\/www.pressenza.com\/wp-content\/uploads\/2016\/03\/P1370099-768x583.jpg 768w\" sizes=\"auto, (max-width: 720px) 100vw, 720px\" \/><\/p>\n<p style=\"text-align: justify;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-291504 size-large\" src=\"http:\/\/www.pressenza.com\/wp-content\/uploads\/2016\/03\/uchu1-697x1024.jpg\" alt=\"uchu1\" width=\"697\" height=\"1024\" srcset=\"https:\/\/www.pressenza.com\/wp-content\/uploads\/2016\/03\/uchu1-697x1024.jpg 697w, https:\/\/www.pressenza.com\/wp-content\/uploads\/2016\/03\/uchu1-204x300.jpg 204w, https:\/\/www.pressenza.com\/wp-content\/uploads\/2016\/03\/uchu1-768x1128.jpg 768w, https:\/\/www.pressenza.com\/wp-content\/uploads\/2016\/03\/uchu1.jpg 1107w\" sizes=\"auto, (max-width: 697px) 100vw, 697px\" \/><\/p>\n<p style=\"text-align: justify;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-291468 size-large\" src=\"http:\/\/www.pressenza.com\/wp-content\/uploads\/2016\/03\/detalle-720x540.jpg\" alt=\"detalle\" width=\"720\" height=\"540\" srcset=\"https:\/\/www.pressenza.com\/wp-content\/uploads\/2016\/03\/detalle-720x540.jpg 720w, https:\/\/www.pressenza.com\/wp-content\/uploads\/2016\/03\/detalle-300x225.jpg 300w, https:\/\/www.pressenza.com\/wp-content\/uploads\/2016\/03\/detalle-768x576.jpg 768w\" sizes=\"auto, (max-width: 720px) 100vw, 720px\" \/><\/p>\n<p style=\"text-align: justify;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-291475\" src=\"http:\/\/www.pressenza.com\/wp-content\/uploads\/2016\/03\/exhumacion.jpg\" alt=\"exhumacion\" width=\"600\" height=\"450\" srcset=\"https:\/\/www.pressenza.com\/wp-content\/uploads\/2016\/03\/exhumacion.jpg 400w, https:\/\/www.pressenza.com\/wp-content\/uploads\/2016\/03\/exhumacion-300x225.jpg 300w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/p>\n<p style=\"text-align: justify;\"><strong>Datos de las exposiciones:<\/strong><\/p>\n<p style=\"text-align: center;\"><strong>\u201cTestigos de barro\u201d\/ cer\u00e1micas de Rosal\u00eda Tineo<\/strong><\/p>\n<p>Exposici\u00f3n venta, va del 17 de Marzo al 9 de Abril en la Casa Yuyachkani acompa\u00f1ando la temporada de Sin T\u00edtulo \/ T\u00e9cnica mixta<br \/>\nCuradur\u00eda: Karen Bernedo<br \/>\nMontaje: Jorge Balde\u00f3n<br \/>\nProducci\u00f3n: Grupo Cultural Yuyachkani<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-291489\" src=\"http:\/\/www.pressenza.com\/wp-content\/uploads\/2016\/03\/rosalia-tineo.jpg\" alt=\"rosalia tineo\" width=\"600\" height=\"451\" srcset=\"https:\/\/www.pressenza.com\/wp-content\/uploads\/2016\/03\/rosalia-tineo.jpg 480w, https:\/\/www.pressenza.com\/wp-content\/uploads\/2016\/03\/rosalia-tineo-300x226.jpg 300w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/p>\n<p style=\"text-align: center;\"><strong>La barbarie y la esperanza- Los retablos latentes de Teodoro Ram\u00edrez<\/strong><\/p>\n<p>Del viernes 18 de marzo al domingo 24 de abril, el Centro Cultural de Bellas Artes presenta la primera exposici\u00f3n de su programaci\u00f3n anual \u201cMemoria y Ciudadan\u00eda\u201d con el artista, maestro retablista y docente bellasartino, Teodoro Ram\u00edrez. Acompa\u00f1an la propuesta Lici Ram\u00edrez y la Asociaci\u00f3n Mama Quilla. El ingreso es libre.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-291496 size-large\" src=\"http:\/\/www.pressenza.com\/wp-content\/uploads\/2016\/03\/teo-720x266.jpg\" alt=\"teo\" width=\"720\" height=\"266\" srcset=\"https:\/\/www.pressenza.com\/wp-content\/uploads\/2016\/03\/teo-720x266.jpg 720w, https:\/\/www.pressenza.com\/wp-content\/uploads\/2016\/03\/teo-300x111.jpg 300w, https:\/\/www.pressenza.com\/wp-content\/uploads\/2016\/03\/teo-768x283.jpg 768w, https:\/\/www.pressenza.com\/wp-content\/uploads\/2016\/03\/teo.jpg 960w\" sizes=\"auto, (max-width: 720px) 100vw, 720px\" \/><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Testigos de Barro- Cer\u00e1micas de Rosal\u00eda Tineo La barbarie y la esperanza- Los retablos latentes de Teodoro Ram\u00edrez Escribe: Karen Bernedo Dos reconocidos artistas tradicionales de Ayacucho inauguran exhibiciones esta semana, la primera es Rosal\u00eda Tineo ceramista de la provincia&hellip;<\/p>\n","protected":false},"author":831,"featured_media":291431,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[11389,79,67],"tags":[335,21054,25074,336,441,7207,868,1560,21436],"class_list":["post-291429","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-contenido-original","category-derechos-humanos","category-sudamerica","tag-arte","tag-ayacucho","tag-conflicto-armado-interno","tag-cultura-2","tag-derechos-humanos","tag-lima","tag-memoria","tag-peru","tag-violencia-politica"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.1.1 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Relatos visuales del conflicto armado interno peruano<\/title>\n<meta name=\"description\" content=\"Testigos de Barro- Cer\u00e1micas de Rosal\u00eda Tineo La barbarie y la esperanza- Los retablos latentes de Teodoro 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